The film The Hurt Locker follows a group of American soldiers during the Iraq War, exploring not only their relationship with the conflict, but with each other. It presents the symbolism of “home” (with places and moments where each soldier feels protected) and introduces an antihero protagonist addicted to the adrenaline rush of facing death head-on.
Inspired by Chris Hedges’ premise in "War is a force that gives us meaning", the director leans into the idea that "war is hell, but it’s not without its pleasures." A powerful tension that shapes both the story and its visual identity.
Development of the aesthetic and narrative proposal for a film’s credits. Creation of an editorial report documenting the decisions made based on the film’s analysis.
The film The Hurt Locker follows a group of American soldiers during the Iraq War, exploring not only their relationship with the conflict, but with each other. It presents the symbolism of “home” (with places and moments where each soldier feels protected) and introduces an antihero protagonist addicted to the adrenaline rush of facing death head-on.
Inspired by Chris Hedges’ premise in "War is a force that gives us meaning", the director leans into the idea that "war is hell, but it’s not without its pleasures." A powerful tension that shapes both the story and its visual identity.
Development of the aesthetic and narrative proposal for a film’s credits. Creation of an editorial report documenting the decisions made based on the film’s analysis.
Creative direction & Content: Gabriela González, Belén Redondo, Martina Tazzioli.
Editorial design: Gabriela González, Belén Redondo.
Illustrations: Sofía Martínez.
Photography: Daniela Lerner.
Creative direction & Content: Gabriela González, Belén Redondo, Martina Tazzioli.
Editorial design: Gabriela González, Belén Redondo.
Illustrations: Sofía Martínez.
Photography: Daniela Lerner.